With the rebuilding of Readymades and computer animation, she
attempts to prove that Duchamp never left a mass produced object unaltered
and then declared it as object. She even goes as far as to prove that the
different objects were altered in an absurd way, or made up entirely in the
first place. The results of her research will be published in the form of a
new online journal www.ToutFait.com.
THE READYMADE: IS IT FICTION?
Art history will learn to acknowledge that the central idea of art in the Twentieth
Century, without which the art of the object would not be thinkable, was nothing but
fiction. Whether the Readymades were done in 1913 or later,
whether they were machine made or not, whether Duchamp fundamentally changed
them or had them made himself, all those questions cannot be answered
at the moment. CONTINUED>>